Entre jeu et nostalgie. Les topoï courtois dans Les Trois Aveugles de Compiègne de Jean Ott

The subject of this paper is an analysis Jean Ott’s theater play Les Trois Aveugles de Compiègne. In his adaptation a 13th-century famed “fabliau” Ott (1878–1935), lesser-known French author, offers its receiver interesting intertextual play. manner that both parodic and nostalgic he appeals to the courtly topoi, treating it as signpost defines development action semantic scope work.